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Prerequisites
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Language of Instruction
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Turkish
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Responsible
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Assistant Professor Uğur Demirbağ
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Instructors
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Assistants
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Resources
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R1. Benjamin, W. (2012). Fotoğrafın kısa tarihi. Agora Kitaplığı, İstanbul.
R2. Sontag, S. (1973). On photography. Rosetta Books, New York.
R3. Virilio, P. (1994). The vision machine. The British Film Institute, London.
R4. Barthes, R. (1982). Camera lucida. Hill and Wang, New York.
R5. Freund, G. (1980). Photography and society. Godine Publisher, Inc., Massachusetts.
R6. Graham, C. (1997). The photograph. Oxford University Press, Hong Kong.
R7. Lopes, D. M. (2016). Four arts of photography. John Wiley & Sons Inc, New York.
R8. Ranciere, J. (2007). The future of the image. Verso Books, New York.
R9. Puppe, H. W. (1979). Walter Benjamin on photography. Reaktion Books, London.
R10. Wild We Roam. (2016, 09 20). How to scan and organize 35mm film negatives (Snippet 16). https://www.youtube.com/watch?v=K-mfS7HGrrk Accessed 09.03.2023.
R11. Legault, K. (2013, 09 15). Layer masking - GIMP 2 8 - tutorial. https://www.youtube.com/watch?v=Jle81ofRLok Accessed 09.03.2023.
R12. Davies Media Design. (2018, 08 17). GIMP 2.10 Compositing tutorial - fantasy beach photo manipulation. https://www.youtube.com/watch?v=363lc6giCJ4 Accessed 09.03.2023.
R13. Datacolor Spyder. (2014, 09 25). Screen to print match. https://www.youtube.com/watch?v=c4CBHaZFa6k Accessed 09.03.2023.
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Supplementary Book
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SR1. Peterson, B. F. (2003). Learning to see creatively design, color & composition in photography. Amphoto Books, New York.
SR2. Sontag, S. (1933). Regarding the pain of others. Picador, New York.
SR3. Dyer, G. (2007). The ongoing moment. Vintage Books, New York.
SR4. Shore, S., Tillman, L. (1995). The velvet years: Warhol`s factory. Pavilion Books, Spain.
SR5. Costello, D., Iversen, M. (2010). Photography after conceptual art. Wiley-Blackwell, New Jersey.
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Goals
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Exploration of both the technical and conceptual aspects of digital photography.
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Content
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A range of tools is used, including advanced film scanning, working with RAW files, masks, compositing and grayscale, and color ink-jet printing. This course is also an introduction to the philosophical concept of the photography.
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