|
Week
|
Topics
|
Study Metarials
|
|
1
|
Relationship between literature and cinema : Lecture and Demonstration in the art
|
R1, p. 9-42.
|
|
2
|
Literary work, scenario and cinema. Literary language and the language of cinema
|
R2, p.11-34.
|
|
3
|
Transfer of literary works to cinema
|
R3, p.11-32
|
|
4
|
Comparison of film with a literary work transferred to cinema (Boken Lives)
|
R3, p.33-64.
|
|
5
|
Comparison of film with a literary work transferred to cinema (Defoliation)
|
R3, p.65-92.
|
|
6
|
Comparison of film with a literary work transferred to cinema (Zubuk)
|
R3, p.127-170.
|
|
7
|
Comparison of film with a literary work transferred to cinema (Selvi Boylum Al Yazmalım)
|
R3, p.171-212.
|
|
8
|
Comparison of film with a literary work transferred to cinema (Homeland Hotel)
|
R3, p.255-280.
|
|
9
|
Comparison of film with a literary work transferred to cinema (Ground Iron Sky Coper)
|
R3, p.213-232.
|
|
10
|
Comparison of film with a literary work transferred to cinema (Gramofon Avrat)
|
R1, p.141-164.
|
|
11
|
Comparison of film with a literary work transferred to cinema (Leyla ile Mecnun)
|
R1, p.311-344.
|
|
12
|
Comparison of film with a literary work transferred to cinema (Expatriate Birds)
|
AR1, p.252-278.
|
|
13
|
Comparison of film with a literary work transferred to cinema (Fahreinheit 451)
|
R1, p.447-474.
|
|
14
|
Comparison of film with a literary work transferred to cinema (Charlie`s Chocolate Factory)
|
R1, p.407-422.
|