Week
|
Topics
|
Study Metarials
|
1
|
Concept of ratio in live model and object drawings
|
K1 Part 1 Dimensioning
|
2
|
Proportion and measure concept in live model and object drawings
|
K1 Part 1 Dimensioning
|
3
|
Plan associations in live model drawings I
|
K3 Establishing Composition
|
4
|
Plan associations in live model drawings II
|
K3 Establishing Composition
|
5
|
Different line and material relationships I
|
K2 Material-Art Relationship
|
6
|
Different line and material relationships Iı
|
K2 Material-Art Relationship
|
7
|
Space-occupancy, front-back and light-dark relationship on the surface I
|
K1 Paper use Composition
|
8
|
Space-occupancy, front-back and light-dark relationship on the surface II
|
K1 Paper use Composition
|
9
|
Composition in live model drawing
|
K1 Paper use Composition
|
10
|
Tissue work I
|
Application I
|
11
|
Tissue work II
|
Application II
|
12
|
Part-all relationship and detail work in live model
|
Application III
|
13
|
Sketch studies in live lifeless model I
|
Application IV
|
14
|
Sketch studies in live lifeless model I
|
Application V
|
Prerequisites
|
-
|
Language of Instruction
|
Turkish
|
Responsible
|
Lecturer Hüseyin Erhan IŞIK
|
Instructors
|
1-)10831 10831 10831
|
Assistants
|
-
|
Resources
|
K1 Lhote, Andre, Sanatta Değişmeyen Plastik Değerler, İmge Kitabevi, Ankara, 2000 K2 Gombrich, E.H, Sanatın Öyküsü, Remzi Kitabevi, İstanbul K3 Civardi Giovnni, Drawing the Human Body an Anotomical Guide
|
Supplementary Book
|
-
|
Goals
|
Enriching the way of seeing in the picture to strengthen the bulge. To make proportion ratio form and plan applications by making use of live lifeless model.
|
Content
|
Live, lifeless model drawing
|
|
Program Learning Outcomes |
Level of Contribution |
1
|
Knowledge about industrial product design logic.
|
1
|
2
|
They can use these software interactively with each other during the design process.
|
-
|
3
|
They can identify the materials and software that will be used in the design process of the printed publications that the designer will design.
|
4
|
4
|
They can outline the definition and classification of ceramics and glassware.
|
-
|
5
|
They may list the methods of shaping.
|
3
|
6
|
They can explain the drying and cooking processes.
|
-
|
7
|
They learn the working principles of those machines.
|
-
|
8
|
They learn the method of casting.
|
-
|
9
|
Be able to carry out the necessary tests on production stages and final product.
|
-
|
10
|
Be able to think about glaze and ask questions.
|
-
|
11
|
They can explain the new glaze ingredients and the properties of new products that emerge as a result of technological developments.
|
-
|
12
|
They can apply the modern tools and modern techniques and methods necessary for glaze applications.
|
-
|
13
|
They practice biscuits and glazes.
|
-
|
14
|
They can interpret the results of raw material quality control tests.
|
-
|
15
|
They can define the concepts of viscosity and stiffness in the backs.
|
-
|