|
Week
|
Topics
|
Study Metarials
|
|
1
|
The General Frame of Westernization, Concepts, An Overview of the Art Medium Formation around Pera / Beyoglu and the Palace The Role of Minority, Levantine and Foreign Painters in the Ottoman Painting Art Samples from the Famous Artists / Paintings to Military Schools and the Military-School of Berri-i Humayun`s Asker- The Role of Painters in the Training, Content of Painting Lessons and Information on the First Military Painters
|
|
|
2
|
Dispatch of Students to Abroad; Paris, "Ecole des Beaux-Arts and Académie Julian" Education System; A Look at the Art of Paris in the 19th Century / Sanayi-i Nefise School,
|
|
|
3
|
1914 Belt by Turkish Art?s Classics
|
|
|
4
|
Various Analyzes About Painters
|
|
|
5
|
Introduction to Contemporary Turkish Art from Westernization in the Ottoman Picture
|
|
|
6
|
The Naked Model Problem The establishment of the 1914 Ottoman Painters Society in Turkish Painting, contributed to the art environment.
|
|
|
7
|
Mihri (Müşfik) Hanım, who is considered to be the first female painter of the Sanayi-i Nefise School. The prominence of the swollen workshop and Turkish painting, founded in 1917, A look at the artistic production of the period in the context of the development of the "Nu" theme in Turkish Painting and its position in the art environment, the developments experienced in the Turkish painting from the War of Independence to the establishment of the Republic and the "Reflective Subjects" of the artists reflecting the period
|
|
|
8
|
Constructing Parallel Restructuring. Establishment of the Independent Painters and Sculptors` Union in 1929
|
|
|
9
|
D Group "together with an art scene that is very active in terms of artistic discussions. Reading through texts, discussions, opinions
|
|
|
10
|
Galatasaray Exhibitions in Turkish Paintings A look at other periodical exhibitions opened after 1933-1936 between the Turkish Revolutions and the War of Independence "
1937 and 1938 "Art and Sculpture Exhibitions /" Dormitory Tour
|
|
|
11
|
The contributions of the artists who settled in the West to the Turkish painting art and the activities in the countries they lived in these new locations are the abstraction and the abstract works which are emerging at the end of a new art environment created by the Independent and d Group in Turkish painting art
|
|
|
12
|
Starting from the end of the 1940s to the 1950s, some special galleries started to open one after the other and a look at private galleries in Turkish painting through Maya Art Gallery
|
|
|
13
|
An overview of the art scene in the Turkish painting after 1960.
|
|
|
14
|
In addition to biennials, art fairs, thematic exhibitions and similar activities, an overview of contemporary art environment in the context of museum studies in Turkey; Contemporary concepts related to modern art, contemporary art, contemporary art (eternal and eternal); New instruments of art, instruments used, inspiration, plagiarism, interrelation between texts, criticism; Art-capital relations, the end of art and new ideas emerged in some other issues, debates.
|
|