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Hafta
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Konular
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Ön Hazırlık
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1
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Introduction: Preliminary Demarcation of a Type of Bourgeois Public Sphere
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K1 Habermas, J. (1997). The structural transformation of the public sphere: an Inquiry into a category of bourgeois society. The MIT Press, Cambridge, Massachusetts. (s. 1-27)
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2
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The Public Sphere as the Organization of Collective Experience
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K2 Negt, O., & Kluge, A. (1993). Public sphere and experience toward an analysis of the bourgeois and proletarian public sphere. University of Minnesota Press, Minneapolis. (s. 1-21)
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3
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Context as Content
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K3 O`Doherty, B. (1986). Inside the white cube: the ideology of the gallery space. The Lapis Press, Santa Monica, San Francisco. (s. 65-87)
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4
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The means of participation
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K4 Crossley, N. (2004). On systematically distorted communication: bourdieu and the socio-analysis of publics. N. Crossley, & J. M. Roberts, After habermas: new perspectives on the public sphere içinde (s. 88-112). Blackwell Publishing Ltd., Oxford. (s. 102-108)
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5
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(Post)modern aesthetics
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K5 Roberts, J. M. (2003). The aesthetics of free speech rethinking the public sphere. Palgrave Macmillan, New York. (s. 58-74)
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6
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The capitalist aesthetic
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K5 Roberts, J. M. (2003). The aesthetics of free speech rethinking the public sphere. Palgrave Macmillan, New York. (s. 74-93)
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7
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Talking power & Communicating technologies
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K6 McGuigan, J. (1996). Culture and the public sphere. Routledge, London. (s. 176-184)
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8
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Praxis and Techne
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K6 McGuigan, J. (1996). Culture and the public sphere. Routledge, London. (s. 184-190)
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9
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Habermas on Art and the Public Sphere
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K7 Barrett, J. (2011). Museums and the public sphere. Blackwell Publishing, Malaysia. (s. 29-38)
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10
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The Museum as Public Space
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K7 Barrett, J. (2011). Museums and the public sphere. Blackwell Publishing, Malaysia. (s. 81-117)
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11
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Art biennales and cities as platforms for global dialogue
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K8 Papastergiadis, N., & Martin, M. (2011). Art biennales and cities as platforms for global dialogue. L. Giorgi, M. Sassatelli, & G. Delanty, Festivals and the cultural public sphere içinde (s. 45-62). Routledge, Oxford. (s. 45-62)
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12
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"Degenerate `Art` ": Public Aesthetics and the Simulation of Censorship in Postliberal Los Angeles and Berlin
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K9 Burt, R. (1994). "Degenerate art` ": public aesthetics and the simulation of censorship in postliberal los angeles and berlin. R. Burt, The administration of aesthetics: censorship, political criticism, and the public sphere içinde (s. 216-259). : University of Minnesota Press, Minneapolis. (s. 216-259)
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13
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A Different Taste: Neither Autonomy nor Mass Consumption
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K10 Menke, C. (2015). A different taste: neither autonomy nor mass consumption. B. Fischer, & M. Mergenthaler, Cultural transformations of the public sphere: Contemporary and historical perspectives içinde (s. 183-202). Peter Lang, Bern.
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14
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Biopolitical Reflections: Cognitive, Aesthetic and Reflexive Mappings of Global Economies
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K10 Shapiro, K. (2015). Biopolitical reflections: cognitive, aesthetic and reflexive mappings of global economies. B. Fischer, & M. Mergenthaler, cultural transformations of the public sphere: contemporary and historical perspectives içinde (s. 203-227). Peter Lang, Bern.
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Ön Koşul
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-
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Ders Dili
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İngilizce
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Dersin Sorumlusu
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Asst. Prof. .Kerem Güman
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Dersi Verenler
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1-)Doçent Bahar Başak Üstel Arı
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Ders Yardımcıları
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Kaynaklar
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K1 Habermas, J. (1997). The structural transformation of the public sphere: an Inquiry into a category of bourgeois society. The MIT Press, Cambridge, Massachusetts.
K2 Negt, O., & Kluge, A. (1993). Public sphere and experience toward an analysis of the bourgeois and proletarian public sphere. University of Minnesota Press, Minneapolis.
K3 O`Doherty, B. (1986). Inside the white cube: the ideology of the gallery space. The Lapis Press, Santa Monica, San Francisco.
K4 Crossley, N. (2004). On systematically distorted communication: bourdieu and the socio-analysis of publics. N. Crossley, & J. M. Roberts, After habermas: new perspectives on the public sphere içinde (s. 88-112). Blackwell Publishing Ltd., Oxford.
K5 Roberts, J. M. (2003). The aesthetics of free speech rethinking the public sphere. Palgrave Macmillan, New York.
K5 Roberts, J. M. (2003). The aesthetics of free speech rethinking the public sphere. Palgrave Macmillan, New York.
K6 McGuigan, J. (1996). Culture and the public sphere. Routledge, London.
K7 Barrett, J. (2011). Museums and the public sphere. Blackwell Publishing, Malaysia. (s. 29-38)
K8 Papastergiadis, N., & Martin, M. (2011). Art biennales and cities as platforms for global dialogue. L. Giorgi, M. Sassatelli, & G. Delanty, Festivals and the cultural public sphere içinde (s. 45-62). Routledge, Oxford.
K9 Burt, R. (1994). "Degenerate art` ": public aesthetics and the simulation of censorship in postliberal los angeles and berlin. R. Burt, The administration of aesthetics: censorship, political criticism, and the public sphere içinde (s. 216-259). University of Minnesota Press, Minneapolis.
K10 Menke, C. (2015). A different taste: neither autonomy nor mass consumption. B. Fischer, & M. Mergenthaler, Cultural transformations of the public sphere: Contemporary and historical perspectives içinde (s. 183-202). Peter Lang, Bern.
K10 Shapiro, K. (2015). Biopolitical reflections: cognitive, aesthetic and reflexive mappings of global economies. B. Fischer, & M. Mergenthaler, cultural transformations of the public sphere: contemporary and historical perspectives içinde (s. 203-227). Peter Lang, Bern.
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Yardımcı Kitap
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Dersin Amacı
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Çağdaş sanatı kamusal alan içinde uygulamak.
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Dersin İçeriği
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Sanatı kollektif olarak teorik bilgi deneyimleriyle kamusal alanda uygulamak
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Program Yeterlilik Çıktıları |
Katkı Düzeyi |
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1
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Sanat ve tasarım alanıyla ilgili kuram, yöntem, kavram ve kavramlar arası ilişkileri açıklama.
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5
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2
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Sanat ve tasarım eseri üretim sürecinde karşılaşacağı problemleri çözer ve yeni öneriler getirme.
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3
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3
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Çağdaş sanat anlayışını bilme.
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4
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4
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Farklı disiplinlerden oluşan ekip çalışmalarına katılma ve alan bilgilerinden yararlanma.
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5
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Sanatsal çalışmaları ulusal ve uluslararası düzeyde değerlendirme.
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5
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6
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Alanıyla ilgili gelişmeleri takip etme, yeniliğe ve gelişmeye açık olma.
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5
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7
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Sanat çalışmalarını eleştirel bakış açısıyla yorumlama.
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8
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Uzmanlık alanındaki görsel ve yazılı kaynakları, mesleki terminolojiyi ve kavramları açıklama.
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9
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Uzmanlık alanında edindiği bilgileri sunma.
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3
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10
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Uygulamalı çalışmaları planlama ve süreci yönetme.
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5
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11
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Sanat ve tasarım kuramlarını uygulama.
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