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Hafta
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Konular
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Ön Hazırlık
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1
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Introduction: Preliminary Demarcation of a Type of Bourgeois Public Sphere
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K1 Habermas, J. (1997). The structural transformation of the public sphere: an Inquiry into a category of bourgeois society. The MIT Press, Cambridge, Massachusetts. (s. 1-27)
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2
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The Public Sphere as the Organization of Collective Experience
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K2 Negt, O., & Kluge, A. (1993). Public sphere and experience toward an analysis of the bourgeois and proletarian public sphere. University of Minnesota Press, Minneapolis. (s. 1-21)
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3
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Context as Content
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K3 O`Doherty, B. (1986). Inside the white cube: the ideology of the gallery space. The Lapis Press, Santa Monica, San Francisco. (s. 65-87)
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4
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The means of participation
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K4 Crossley, N. (2004). On systematically distorted communication: bourdieu and the socio-analysis of publics. N. Crossley, & J. M. Roberts, After habermas: new perspectives on the public sphere içinde (s. 88-112). Blackwell Publishing Ltd., Oxford. (s. 102-108)
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5
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(Post)modern aesthetics
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K5 Roberts, J. M. (2003). The aesthetics of free speech rethinking the public sphere. Palgrave Macmillan, New York. (s. 58-74)
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6
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The capitalist aesthetic
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K5 Roberts, J. M. (2003). The aesthetics of free speech rethinking the public sphere. Palgrave Macmillan, New York. (s. 74-93)
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7
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Talking power & Communicating technologies
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K6 McGuigan, J. (1996). Culture and the public sphere. Routledge, London. (s. 176-184)
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8
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Praxis and Techne
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K6 McGuigan, J. (1996). Culture and the public sphere. Routledge, London. (s. 184-190)
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9
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Habermas on Art and the Public Sphere
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K7 Barrett, J. (2011). Museums and the public sphere. Blackwell Publishing, Malaysia. (s. 29-38)
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10
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The Museum as Public Space
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K7 Barrett, J. (2011). Museums and the public sphere. Blackwell Publishing, Malaysia. (s. 81-117)
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11
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Art biennales and cities as platforms for global dialogue
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K8 Papastergiadis, N., & Martin, M. (2011). Art biennales and cities as platforms for global dialogue. L. Giorgi, M. Sassatelli, & G. Delanty, Festivals and the cultural public sphere içinde (s. 45-62). Routledge, Oxford. (s. 45-62)
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12
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"Degenerate `Art` ": Public Aesthetics and the Simulation of Censorship in Postliberal Los Angeles and Berlin
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K9 Burt, R. (1994). "Degenerate art` ": public aesthetics and the simulation of censorship in postliberal los angeles and berlin. R. Burt, The administration of aesthetics: censorship, political criticism, and the public sphere içinde (s. 216-259). : University of Minnesota Press, Minneapolis. (s. 216-259)
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13
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A Different Taste: Neither Autonomy nor Mass Consumption
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K10 Menke, C. (2015). A different taste: neither autonomy nor mass consumption. B. Fischer, & M. Mergenthaler, Cultural transformations of the public sphere: Contemporary and historical perspectives içinde (s. 183-202). Peter Lang, Bern.
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14
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Biopolitical Reflections: Cognitive, Aesthetic and Reflexive Mappings of Global Economies
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K10 Shapiro, K. (2015). Biopolitical reflections: cognitive, aesthetic and reflexive mappings of global economies. B. Fischer, & M. Mergenthaler, cultural transformations of the public sphere: contemporary and historical perspectives içinde (s. 203-227). Peter Lang, Bern.
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