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Week
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Topics
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Study Metarials
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1
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Crisis within contemporary Art
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R1. Aydoğan, K. E. (2009, 04 07). Sanatta Disiplinlerarası bir Yaklaşım: Performans Sanatı. Retrieved from DergiPark: https://dergipark.org.tr/tr/download/article-file/193371
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2
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Artistic relations between disciplines such as painting, sculpture, photography, video, architecture, literature
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R2. Foster, H. (2013, 05 06). Sanat-Mimarlık Kompleksi: Küreselleşme Çağında Sanat, Mimarlık ve Tasarımın Birliği. Retrieved from e-skop: https://www.e-skop.com/duyuru/sanat-mimarlik-kompleksi-kuresellesme-caginda-sanat-mimarlik-ve-tasarimin-birligi/294
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3
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Problem definition and text preparation for project based study
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R3. Walker, K. (2017, 08 22). Sanatçı Bildirisi. Retrieved from e-skop: https://www.e-skop.com/skopbulten/sanatci-bildirisi/3480
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4
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Preparing project text to concept-text-image
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R4. Kennedy, R. (2014, 10 29). Eleştirinin Rafa Kaldırıldığı Bir Çağda Hans Haacke Yolundan Şaşmıyor. Retrieved from e-skop: https://www.e-skop.com/skopbulten/elestirinin-rafa-kaldirildigi-bir-cagda-hans-haacke-yolundan-sasmiyor/2173
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5
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Determination of appropriate discipline and possibilities for the project
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R5. Mullan, P. (2016, 12 27). Sanat ve Fesat: Mark Lombardi?nin Ölüme Meydan Okuyan Hikâyeleri. Retrieved from e-skop: https://www.e-skop.com/skopbulten/sanat-ve-fesat-mark-lombardinin-olume-meydan-okuyan-hik%c3%a2yeleri/3213
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6
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Material search and selection - determination of the techniques to be used
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R6. Lawless, K. (2018, 12 22). Küresel Hafıza Endüstrisi. Retrieved from e-skop: https://www.e-skop.com/skopbulten/kuresel-hafiza-endustrisi/4246
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7
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Developing original relationships between discipline, materials, techniques and problems
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R7. Artun, A. (2018, 02 21). Dada?nın Hakikati. Retrieved from e-skop: https://www.e-skop.com/skopbulten/dadanin-hakikati/3702
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8
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Creating an original interdisciplinary project
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R8. Petsche, J. (2017, 06 06). Özerk Olmanın Önemi: Sanat İçin Sanat İlkesini Marksist Bakışla Savunmak . Retrieved from e-skop: https://www.e-skop.com/skopbulten/ozerk-olmanin-onemi-sanat-icin-sanat-ilkesini-marksist-bakisla-savunmak/3369
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9
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Adapting materials and disciplines to the project
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R9. Roelstraete, D. (2013, 10 08). Meşguliyet: Sanatın Dayanılmaz Hafifliği Üzerine. Retrieved from e-skop: https://www.e-skop.com/skopbulten/mesguliyet-sanatin-dayanilmaz-hafifligi-uzerine/1548
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10
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Drafting the project
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R10. Hito Steyerl Soruyor: "Müze Bir Savaş Alanı mıdır?". (2013, 10 05). Retrieved from e-skop: https://www.e-skop.com/skopbulten/hito-steyerl-soruyor-muze-bir-savas-alani-midir/1551
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11
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Application of the draft project
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R11. Beech, D. (2018, 10 14). Sanat, Emek, Metalaşma . Retrieved from e-skop: https://www.e-skop.com/skopbulten/sanat-emek-metalasma/3980
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12
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The completion of the project
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R12. Dada ve Sürrealizmin Öncülerinden Jean Arp?ın Geç Dönem Eserleri. (2014, 01 17). Retrieved from e-skop: http://www.e-skop.com/skopbulten/dada-ve-surrealizmin-onculerinden-jean-arpin-gec-donem-eserleri/1751
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13
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Interpretation of the finished project and criticism process
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R13. Eagleton, T. (2014, 01 07). Akla Karşı Deneyim: Batı Düşüncesinin Bitmeyen Teranesi. Retrieved from e-skop: https://www.e-skop.com/skopbulten/akla-karsi-deneyim-bati-dusuncesinin-bitmeyen-teranesi/1732
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14
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Interpretation and criticism of the project
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R14. Duncan, C. (2018, 10 08). Ritüel Olarak Sanat Müzesi. Retrieved from e-skop: https://www.e-skop.com/skopbulten/rituel-olarak-sanat-muzesi/3950
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