CANKIRI KARATEKIN UNIVERSITY Bologna Information System


  • Course Information
  • Course Title Code Semester Laboratory+Practice (Hour) Pool Type ECTS
    Bağlama I MZK181 FALL 3+0 E 4
    Learning Outcomes
    1-Identifies the places of the notes on the lower string and their pitch names.
    2-Applies correct right-left hand techniques of preparatory sampling exercises using the notes on the lower string.
    3-Performs Turkish folk music melodies consisting of simple measures and easily perceptible musical phrases.
    4-Performs Turkish folk music melodies including complex measures, note patterns and different makam structures.
  • ECTS / WORKLOAD
  • ActivityPercentage

    (100)

    NumberTime (Hours)Total Workload (hours)
    Course Duration (Weeks x Course Hours)14342
    Classroom study (Pre-study, practice)14342
    Assignments0000
    Short-Term Exams (exam + preparation) 0000
    Midterm exams (exam + preparation)4011515
    Project0000
    Laboratory 0000
    Final exam (exam + preparation) 6012020
    0000
    Total Workload (hours)   119
    Total Workload (hours) / 30 (s)     3,97 ---- (4)
    ECTS Credit   4
  • Course Content
  • Week Topics Study Metarials
    1 Introduction of the sound system of Turkish Music. The history and physical structure of Bağlama. Playing note patterns on LA string R1-Chapter-1
    2 Etudes for the adaptation of fingers to the keyboard of Bağlama 1 R1-Chapter-2
    3 Etudes for the adaptation of fingers to the keyboard of Bağlama 2 R1-Chapter-2
    4 Playing Turkish Folk Music songs which consist of easy music sentences 1 R1-Chapter-3 R2-Chapter-3
    5 Playing Turkish Folk Music songs which consist of easy music sentences 2 R1-Chapter-3 R2-Chapter-3
    6 Playing Turkish Folk Music songs which consist of easy music sentences 3 R1-Chapter-3 R2-Chapter-3
    7 Playing Turkish Folk Music songs which consist of easy music sentences 4 R1-Chapter-3 R2-Chapter-3
    8 Samples and performances of folk songs with complex measure and note patterns-I R1-Chapter-4 R2-Chapter-4
    9 Samples and performances of folk songs with complex measure and note patterns-II R1-Chapter-4 R2-Chapter-4
    10 Samples and performances of folk songs with complex measure and note patterns-III R1-Chapter-4 R2-Chapter-4
    11 Samples and performances of folk songs with complex measure and note patterns-IV R1-Chapter-4 R2-Chapter-4
    12 Samples and performances of folk songs with complex measure and note patterns-V R1-Chapter-4 R2-Chapter-4
    13 Samples and performances of folk songs with complex measure and note patterns-VI R1-Chapter-4 R2-Chapter-4
    14 Samples and performances of folk songs with complex measure and note patterns-VII R1-Chapter-4 R2-Chapter-4
    Prerequisites None
    Language of Instruction Turkish
    Responsible Lecturer Hakan Aykurt
    Instructors -
    Assistants -
    Resources R1. Haşhaş, S. (2017). Uzun Sap Bağlama Metodu-Bozuk Düzeni. Gece Kitaplığı, Ankara. R2. Akdağ, A. K. (2016). Bağlama Metodu 1. Pan Yayıncılık, İstanbul. R3. TRT Türk Halk Müziği Repertuvar Arşivi
    Supplementary Book -
    Goals Enabling the instrument to be played with a high performance in regard to local performance techniques in Traditional Turkish Folk Music.
    Content Playing note patterns on LA string. Playing the etudes for the adaptation of fingers to the keyboard of bağlama. Playing Turkish Folk Music songs which consist of easy music sentences.
  • Program Learning Outcomes
  • Program Learning Outcomes Level of Contribution
    1 Has general music culture. 3
    2 Has the knowledge and ability for basic musicianship (theory, perception, reading, writing). 3
    3 Has experience in musical performance. 5
    4 Knows about different musical genres, and keeps up with the latest developments and innovations. -
    5 Shares and presents the knowledge gained on human voice, other sounds and musical instruments. -
    6 Knows about the basics of music technology. -
    7 Plans and manages processes by using electronic equipment and computer technology in the art of music. -
    8 Has the knowledge and ability for acoustic engineering. -
    9 Has the knowledge and ability for sound recording, mix and mastering. -
    10 Knows about and uses the equipment and software at the sound recording studio. -
    11 Has the knowledge and ability for sound synthesizing and electronic composition. -
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