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Week
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Topics
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Study Metarials
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1
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Introduction to the course. Preliminary information about the course.
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R1- ch1 Cinema`s prehistoric
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2
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Historical and social development of cinema.
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R1- ch1 Analysis of the movement
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3
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The invention of cinema and the universal promotion efforts of the Lumiere Brothers. Melies cinema.
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R1- ch2 The center of the world is Europe + R3 p.30-42
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4
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The development of cinematic narrative and Hollywood.
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R1- ch3-4 America at the beginning of the twentieth century - Hollywood is self-regulating.
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5
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Cinema in the Soviet Union. Soviet Montage Cinema, Kuleshov
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R1- ch5 Socialist cinema studies in Russia.
+ SR1 p.51-106
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6
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Eisenstein`s theory and practice of editing. Dziga Vertov`s Man with a Camera.
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R1 ch5 From Feks to Cinema-Eye + SR1 p.107-131, 133-150
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7
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German Expressionism Movement Fritz Lang and Wilhelm Murnau, Rene Clair, Carl T. Dreyer.
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R1- ch6 German expressionism and the Kammerspiel + R3- p.169-184
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8
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Cinema Attaining Sound.
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R1- ch8 Problems of sound cinema + R3- p.249-258
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9
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French Poetic Realism.
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R1- ch9-10 The road to poetic realism - Hitler`s rise to power.
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10
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World War II and Italian Neorealism.
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R1- ch12. Cinema of reality + R3- p.406-415
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11
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Postwar US Cinema.
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R1- ch13 New world order after the second world war + R3- p.513-522
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12
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French New Wave.
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R1- ch15 New wave theory + R3- p.402-406, p.652-658
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13
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Creative Directors of Post-1960 European Cinema: Luis Bunuel, Ingmar Bergman, Michelangelo Antonioni, Federico Fellini.
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R2 ch23 + R3- p.648-649
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14
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Japanese Cinema.
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R1 ch16 + R3- p.811-819
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