|
Hafta
|
Konular
|
Ön Hazırlık
|
|
1
|
Introduction: Preliminary Demarcation of a Type of Bourgeois Public Sphere
|
K1 Habermas, J. (1997). The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society. Cambridge, Massachusetts: The MIT Press. (s. 1-27)
|
|
2
|
The Public Sphere as the Organization of Collective Experience
|
K2 Negt, O., & Kluge, A. (1993). Public Sphere and Experience Toward an Analysis of the Bourgeois and Proletarian Public Sphere. Minneapolis: University of Minnesota Press. (s. 1-21)
|
|
3
|
Context as Content
|
K3 O`Doherty, B. (1986). Inside the White Cube: The Ideology of the Gallery Space. Santa Monica, San Francisco: The Lapis Press. (s. 65-87)
|
|
4
|
The means of participation
|
K4 Crossley, N. (2004). On systematically distorted communication: Bourdieu and the socio-analysis of publics. N. Crossley, & J. M. Roberts, After Habermas: New Perspectives on the Public Sphere içinde (s. 88-112). Oxford: Blackwell Publishing Ltd. (s. 102-108)
|
|
5
|
(Post)modern aesthetics
|
K5 Roberts, J. M. (2003). The Aesthetics of Free Speech Rethinking the Public Sphere. New York: Palgrave Macmillan. (s. 58-74)
|
|
6
|
The capitalist aesthetic
|
K5 Roberts, J. M. (2003). The Aesthetics of Free Speech Rethinking the Public Sphere. New York: Palgrave Macmillan. (s. 74-93)
|
|
7
|
Talking power & Communicating technologies
|
K6 McGuigan, J. (1996). Culture and the Public Sphere. London: Routledge. (s. 176-184)
|
|
8
|
Praxis and Techne
|
K6 McGuigan, J. (1996). Culture and the Public Sphere. London: Routledge. (s. 184-190)
|
|
9
|
Habermas on Art and the Public Sphere
|
K7 Barrett, J. (2011). Museums and the Public Sphere. Malaysia: Blackwell Publishing. (s. 29-38)
|
|
10
|
The Museum as Public Space
|
K7 Barrett, J. (2011). Museums and the Public Sphere. Malaysia: Blackwell Publishing. (s. 81-117)
|
|
11
|
Art biennales and cities as platforms for global dialogue
|
K8 Papastergiadis, N., & Martin, M. (2011). Art biennales and cities as platforms for global dialogue. L. Giorgi, M. Sassatelli, & G. Delanty, Festivals and the Cultural Public Sphere içinde (s. 45-62). Oxford: Routledge. (s. 45-62)
|
|
12
|
"Degenerate `Art` ": Public Aesthetics and the Simulation of Censorship in Postliberal Los Angeles and Berlin
|
K9 Burt, R. (1994). "Degenerate `Art` ": Public Aesthetics and the Simulation of Censorship in Postliberal Los Angeles and Berlin. R. Burt, The Administration of Aesthetics: Censorship, Political Criticism, and the Public Sphere içinde (s. 216-259). Minneapolis: University of Minnesota Press. (s. 216-259)
|
|
13
|
A Different Taste: Neither Autonomy nor Mass Consumption
|
K10 Menke, C. (2015). A Different Taste: Neither Autonomy nor Mass Consumption. B. Fischer, & M. Mergenthaler, Cultural Transformations of the Public Sphere: Contemporary and Historical Perspectives içinde (s. 183-202). Bern: Peter Lang.
|
|
14
|
Biopolitical Reflections: Cognitive, Aesthetic and Reflexive Mappings of Global Economies
|
K10 Shapiro, K. (2015). Biopolitical Reflections: Cognitive, Aesthetic and Reflexive Mappings of Global Economies. B. Fischer, & M. Mergenthaler, Cultural Transformations of the Public Sphere: Contemporary and Historical Perspectives içinde (s. 203-227). Bern: Peter Lang.
|
|
Ön Koşul
|
-
|
|
Ders Dili
|
İngilizce
|
|
Dersin Sorumlusu
|
Asst. Prof. .Kerem Güman
|
|
Dersi Verenler
|
-
|
|
Ders Yardımcıları
|
-
|
|
Kaynaklar
|
K1 Habermas, J. (1997). The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society. Cambridge, Massachusetts: The MIT Press.
K2 Negt, O., & Kluge, A. (1993). Public Sphere and Experience Toward an Analysis of the Bourgeois and Proletarian Public Sphere. Minneapolis: University of Minnesota Press.
K3 O`Doherty, B. (1986). Inside the White Cube: The Ideology of the Gallery Space. Santa Monica, San Francisco: The Lapis Press.
K4 N. Crossley, & J. M. Roberts. (2004) After Habermas: New Perspectives on the Public Sphere. Oxford: Blackwell Publishing Ltd.
K5 Roberts, J. M. (2003). The Aesthetics of Free Speech Rethinking the Public Sphere. New York: Palgrave Macmillan.
K6 McGuigan, J. (1996). Culture and the Public Sphere. London: Routledge.
K7 Barrett, J. (2011). Museums and the Public Sphere. Malaysia: Blackwell Publishing.
K8 L. Giorgi, M. Sassatelli, & G. Delanty. (2011). Festivals and the Cultural Public Sphere. Oxford: Routledge.
K9 Burt, R. (1994). The Administration of Aesthetics: Censorship, Political Criticism, and the Public Sphere. Minneapolis: University of Minnesota Press.
K10 B. Fischer, & M. Mergenthaler. (2015) Cultural Transformations of the Public Sphere: Contemporary and Historical Perspectives. Bern: Peter Lang.
|
|
Yardımcı Kitap
|
-
|
|
Dersin Amacı
|
Çağdaş sanatı kamusal alan içinde uygulamak.
|
|
Dersin İçeriği
|
Sanatı kollektif olarak teorik bilgi deneyimleriyle kamusal alanda uygulamak
|
|
Program Yeterlilik Çıktıları |
Katkı Düzeyi |
|
1
|
Sanat ve tasarım alanıyla ilgili kuram, yöntem, kavram ve kavramlar arası ilişkileri açıklar.
|
5
|
|
2
|
Sanat ve tasarım eseri üretim sürecinde karşılaşacağı problemleri çözer ve yeni öneriler getirir.
|
5
|
|
3
|
Güncel sanat anlayışını bilir.
|
3
|
|
4
|
Farklı disiplinlerden oluşan ekip çalışmalarına katılır ve alan bilgilerinden yararlanır.
|
5
|
|
5
|
Sanatsal çalışmaları ulusal ve uluslararası düzeyde değerlendirir.
|
-
|
|
6
|
Alanıyla ilgili gelişmeleri takip eder, yeniliğe ve gelişmeye açık olur.
|
5
|
|
7
|
Sanat çalışmalarını eleştirel bakış açısıyla yorumlar.
|
-
|
|
8
|
Uzmanlık alanındaki görsel ve yazılı kaynakları, mesleki terminolojiyi ve kavramları açıklar.
|
-
|
|
9
|
Uzmanlık alanında edindiği bilgileri sunar.
|
3
|
|
10
|
Uygulamalı çalışmaları planlar ve süreci yönetir.
|
5
|
|
11
|
Sanat ve tasarım kuramlarını uygular.
|
-
|